Moore began his career in theatrical lighting before moving into film lighting and subsequently working as a director of photography. He also spent four years running a corporate production company, shooting a wide range of projects before becoming a freelance cinematographer in 2009.
During his early career, Moore worked as a camera operator on British television productions, including Red Dwarf and Doctor Who. He later progressed to director of photography, working across comedy, drama, science fiction and thriller productions.
His early cinematography credits include the television series Common Ground and the feature films The Last Showing (2014) and Break (2015). He subsequently worked on British television dramas including Vera, Shetland, Britannia and Dark Heart. His work on Vera earned him the Royal Television Society Award for Best Cinematography in 2018.
Moore continued to work across television comedy and drama, photographing This Way Up (2019), created by and starring Aisling Bea, and the science-fiction series The Feed (2019). He also worked on Black Mirror, serving as second-unit director of photography on the episode “Smithereens” (2019), directed by James Hawes.
His subsequent television credits include Litvinenko (2022), starring David Tennant, and Somewhere Boy (2022), directed by Alex Winckler. His work on Somewhere Boy formed part of a production that received a BAFTA nomination for Best Drama Series.
In 2023, Moore served as director of photography on the Apple TV+ thriller Hijack, starring Idris Elba, and the science-fiction series Silo, starring Rebecca Ferguson. He returned to Hijack for its second season and continued his work on Silo, contributing to its subsequent seasons.
His feature film credits include My Fault: London (2025), directed by Charlotte Fassler and Dani Girdwood, and his more recent work includes the science-fiction series Alien: Earth (2025).